01 / 0302 / 0303 / 0311 After Image: Dismantling Race, Hegemony, and Representation, an Anthology (2019)
Publication bringing together Critical Art Theory, Linguistics, Archaeology, Film Theory, Design critique, and Decolonization studies in an interdisciplinary curriculum for artists and designers engaged in cultural production while resisting racism, eurocentrism and cultural hegemony. The book dissects the origination of the category of ‘human’ and ‘non-human’ and is divided into three acts: Context, a visual interlude, and Praxis. Portraits in the publication appear to bleed through the paper onto the next folio, visualizing Ulysses Jenkin’s idea that “a mass of images” have enforced images of blackness and indigineity through media over time. Book design. Self-initiated.